{"id":24002,"date":"2024-05-28T09:12:34","date_gmt":"2024-05-28T14:12:34","guid":{"rendered":"https:\/\/www.studio303.ca\/?p=24002"},"modified":"2024-06-07T12:59:00","modified_gmt":"2024-06-07T17:59:00","slug":"lee-ingram-residence-24-25","status":"publish","type":"post","link":"https:\/\/www.studio303.ca\/en\/lee-ingram-residence-24-25\/","title":{"rendered":"LEE INGRAM"},"content":{"rendered":"\n

PROJECT \/\/ <\/strong>untitled nightmare<\/em><\/p>\n\n\n\n\n\n\n\n

BIOGRAPHY<\/strong><\/p>\n\n\n\n

I am a multi\/inter(non)disciplinary artist concerned with forms of storytelling that relate to memory, myth, solitude, spirituality, connection, and healing. As a queer Black\/mixed-raced woman of the African-Caribbean Diaspora with Italian ancestry, I explore how my body can contradict expectations in dance, performance, and identity, while remaining receptive to ancient and ancestral ways of being and moving.<\/p>\n\n\n\n

My solo works blend dance, theatre, poetry, and film\/video. I’ve co-choreographed experimental projects with Lekwungen<\/strong>, \u201cVictoria\u201d-based artists, Lindsay Delaronde<\/strong>, the Visible Bodies Collective<\/strong>, and Kemi Craig<\/strong>. My work with these artists have focused on indigenous\/non-western storytelling as well as integrating dance, film, text, percussion, and video projections into culturally specific work.<\/p>\n\n\n\n

I collaborate in performance art, installation, sound\/score design, and live music, notably with Montreal-based musicians Owen Fairbairn<\/strong> and Habib Bardi<\/strong>. I am now based primarily in Tiohti\u00e0:ke, \u201cMontreal\u201d, where I will continue to emphasize community, collaboration, and audience engagement in my work.<\/p>\n\n\n\n

DETAILS OF THE PROJECT<\/th><\/tr><\/thead>
During my residency, I’ll explore nightmares, spirits, trauma, dream-body, and personal mythology through a process-based approach. Research, experimentation, and developing a loose structure for an interdisciplinary performance piece will be my focus. untitled nightmare<\/em> originated from a vivid, unsettling dream I had several years ago, which I later transformed into poetry. Intrigued by the realm of nightmares ever since, I aim to delve deeper, including organizing anonymous nightmares I collected over past Halloweens. I\u2019ll weave together movement, sound, video, and interactive elements to tell a strange, perhaps even grotesque, story.

I’ll also continue researching the intersection of hauntology (coined by Jacques Derrida) and Afrofuturism, introduced to me by my friend and collaborator, Kemi Craig<\/strong>. She acknowledges that many black artists\u2019 work is embedded in past memories, their associations, and their spiritual effect. This haunted space is where I seek somatic contact and potential for collaboration with my lineage (ancestors).<\/td><\/tr>
Musicians Owen Fairbairn<\/strong> and Habib Bardi<\/strong> will be invited to accompany me during this residency and for later performances.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n
\u00a9 Impulse Theatre’s ‘Peek Show’, Intrepid Studio (with Lee Ingram’s image layered)
\u00a9 Mackenzie Lawrence at Intrepid Theatre’s ‘Queer Q’, Metro Studio (with Lee Ingram’s image layered)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

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