{"id":4742,"date":"2019-07-17T12:37:17","date_gmt":"2019-07-17T17:37:17","guid":{"rendered":"https:\/\/www.studio303.ca\/?p=4742"},"modified":"2022-09-19T13:24:48","modified_gmt":"2022-09-19T18:24:48","slug":"erin-robinsong-hanna-sybille-muller-2","status":"publish","type":"post","link":"https:\/\/www.studio303.ca\/en\/erin-robinsong-hanna-sybille-muller-2\/","title":{"rendered":"ERIN ROBINSONG & HANNA SYBILLE M\u00dcLLER"},"content":{"rendered":"

Winter 2019-20<\/strong><\/p>\n

PROJECT \/\/ <\/b>Humans are hosting organisms: it is widely accepted that over fifty percent of the cells in our bodies are not human but microbial. Bacteria, viruses, archaea, and fungi together form \u2018our\u2019 body. What does it mean to be a multispecies community? <\/span>Polymorphic Microbe Bodies<\/span><\/i> are a multisensory dance work that invites audiences into the microbial communities in their bodies. Rooted in somatics, this experiential performance is guided by a dance of language, sound, smell and taste.<\/span>
\nIn our previous collaboration, <\/span>revolutions<\/span><\/i>, we conducted interviews on the topic of revolutions with experts from different fields. One of them was a biologist who spoke about the microbial communities that we are. An \u2018individual\u2019, biologically speaking, is a fiction: we are more like a planet, composed of ecosystems, inhabitants and relationships. In the studio we translated these ideas into choreographic material. This material didn\u2019t end up in <\/span>revolutions <\/span><\/i>because it was too different from the rest; it was the beginning of a whole new piece. In creating <\/span>Polymorphic Microbe Bodies<\/span><\/i>, we are also asking: Why is dance, a somatic art, so often perceived primarily visually? How can we create work that engages audiences\u2019 felt, sensorial experience? <\/span><\/p>\n\n\n

<\/div>\n\n\n
\"\"
Erin Robinsong
Photo credit: Bernardo Fernandez<\/figcaption><\/figure>\n

BIOS \/\/<\/b> Erin Robinsong<\/b> is a poet, choreographer and interdisciplinary artist working with ecological imagination. Her debut collection of poetry, <\/span>Rag Cosmology<\/span><\/i>, won the 2017 A.M. Klein Prize for Poetry and was described in the Globe & Mail as \u201can intimacy of ecological identities as wild, sensual and rhythmic as the cosmos.\u201d Her work has been published in <\/span>Lemon Hound<\/span><\/i>, <\/span>Vallum<\/span><\/i>, <\/span>The Capilano Review<\/span><\/i>, <\/span>Counter-Desecration: A Glossary for Writing Within the Anthropocene <\/span><\/i>and <\/span>Regreen: New Canadian Ecological Poetry<\/span><\/i>, among others. Collaborative performance works with Hanna Sybille M\u00fcller and Andr\u00e9a de Keijzer include <\/span>This ritual is not an accident; Facing away from that which is coming<\/span><\/i>; <\/span>revolutions<\/span><\/i>; and <\/span>Polymorphic Microbe Bodies <\/span><\/i>(forthcoming 2020). She is a recipient of the Irving Layton Award for Poetry, and has been nominated for a K.M. Hunter Award. Originally from Cortes Island, Robinsong lives in Montr\u00e9al.<\/span><\/p>\n\n\n

<\/div>\n\n\n
\"\"
Sybille Mu\u0308ller
Photo credit: Andre\u0301a de Keijzer<\/figcaption><\/figure>\n

Hanna Sybille M\u00fcller<\/b> is a mid-career choreographer, dramaturg and dance artist living in Montreal. She studied dance at the <\/span>Rotterdamse Dansacademie<\/span><\/i> (RDA) and received a diploma in media studies at the <\/span>Berlin University of the Arts<\/span><\/i> (UdK) in 2012. <\/span> <\/span><\/p>\n

In collaboration with Erin Robinsong she is currently developing <\/span>Polymorphic Microbe Bodies<\/span><\/i>, a dance work that explores the microbial worlds of the body, translating scientific information into experiential knowledge. Recent works include <\/span>revolutions<\/span><\/i> (2018, Tangente), <\/span>transposition<\/span><\/i> (2016, Usine C, OFFta, Studio 303, Wiesenburghalle) and a social choreography called Soup-text Series (2010-ongoing).<\/span><\/p>\n

For almost ten years she collaborated with Eva Meyer-Keller. They have created two performance projects: <\/span>Bauen nach Katastrophen<\/span><\/i> (2009) and <\/span>Cooking Catastrophes<\/span><\/i> (2011), and one video project:<\/span> Von Menschen gemacht<\/span><\/i> (2010) that still tours internationally. As a performer, she has collaborated with Isabelle Schad, J\u00e9r\u00f4me Bel, Volker M\u00e4rz, Martin Nachbar, TWO FISH, deufert&plischke, and s-h-i-f-t-s among others.<\/span><\/p>\n

She taught at the UdK (Berlin University of the Arts) and at the ZHdK (Zurich University of the Arts). In 2016 she led the laboratory \u201cSmoothies of the End of the World\u201d at the <\/span>Theater im Marienbad <\/span><\/i>in Fribourg, and she currently teaches at the Cummings Centre and Studio 303 in Montreal.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Winter 2019-20<\/p>\n","protected":false},"author":2,"featured_media":3758,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[45,49],"tags":[],"class_list":["post-4742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-residencies-en"],"acf":[],"yoast_head":"\nERIN ROBINSONG & HANNA SYBILLE M\u00dcLLER - Studio 303<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.studio303.ca\/en\/erin-robinsong-hanna-sybille-muller-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ERIN ROBINSONG & HANNA SYBILLE M\u00dcLLER - 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