{"id":967,"date":"2018-06-29T12:47:31","date_gmt":"2018-06-29T17:47:31","guid":{"rendered":"http:\/\/www.studio303.ca\/contortion-opening-amplitude-and-backbone-movement-andreane-leclerc-mtl\/"},"modified":"2022-09-19T14:29:59","modified_gmt":"2022-09-19T19:29:59","slug":"contortion-opening-amplitude-and-backbone-movement-andreane-leclerc-mtl","status":"publish","type":"post","link":"https:\/\/www.studio303.ca\/en\/contortion-opening-amplitude-and-backbone-movement-andreane-leclerc-mtl\/","title":{"rendered":"ANDR\u00c9ANE LECLERC (MTL) \u2014 Contortion: opening, amplitude and backbone movement"},"content":{"rendered":"

Mar. 4 to 8, 2019 \u2013 9:30 a.m. to 12:30 p.m. (Mon.-Fri.)
\n$75 with the support of *Emploi-Qu\u00e9bec (or $125, non-eligible rate) – FULL
\n$17 drop-ins (Monday only)
\nOpen to artists of all disciplines \/ Bilingual teachers
\nCapacity: 15 people, priority for full week attendance<\/strong><\/p>\n

\u201cExcellent way of making contortion accessible- understandable to everyone.\u201d – Anonymous<\/em><\/p>\n

Andr\u00e9ane Leclerc presented \u201cContortion for All\u201d, a deep and subtle investigation of interiority and bodily limits. With direct and sophisticated cues to build awareness of healthy joint mobility and space within the body, Leclerc presented a grounded yet phenomenological approach to building a contortion practice. With a fundamental focus on the cleansing of the spine, a deepening of the core in all dimensions through the use of spirals, figure-8\u2019s, and half-circles reminiscent of the foundations of gyrotonic, Andr\u00e9ane Leclerc\u2019s process emerges from an intuitive standpoint that reflects a depth of conceptual research in her own practice. This combination provides a unique perspective and example for artists with interest in extending flexibility into the concept of their work.” – Brandy Leary,  Contemporary Circus Art Festival of Toronto<\/em><\/p>\n

Contortion is a corporeal technique, in a constant dialogue with one\u2019s own body, and is looking for openness rather than wanting to bend. Never pushing the boundaries, we learn to collaborate with them in a total respect of the body \u2013 your tool, your partner. Contortion is also a hyper consciousness of the sensations of the body\u2019s interior and a dialogue between its limits and its aides. This workshop is about demystifying contortion and making it accessible to everyone by sharing a technique that avoids possible injuries. This technical workshop (specific warming up, alignment, endurance, specific reinforcement followed by cool-down exercises) is based on active flexibility exercises and deep stretching of the hips and the back. We will work the body\u2019s awareness, breathing, posture and endurance. This workshop addresses all body artists who wish to improve, use, or control their flexibility; to discover a new approach to the body; to open itself to new tools to work in better ways; to develop a confidence and knowledge about its own body limits that allows them to venture into a specific and particular work with the spine; to dip into interior sensation of the body and to open a new approach using this knowledge. Contortionism doesn\u2019t signify \u201cbeing flexible.\u201d It is a physical technique that one learns and works with. There is no secret.<\/p>\n

Founder of Nadere Performing Arts, Andr\u00e9ane Leclerc<\/strong> graduated from the National Circus School of Montreal in 2001. Driven by a desire to harness contortion technique as a malleable material that is capable of generating a world of sensation and imagery beyond the spectacular, she now creates her own experimental and conceptual performances \u2013 Di(x)parue<\/em> (2008), Insuccube<\/em> (2012), Eat Me<\/em> (2013), Bath House<\/em> (2013), Cherepaka<\/em> (2014), Sculptural body<\/em> (2014) and The Whore of Babylon<\/em> (2015). In 2013, she finished a masters degree on circus dramaturgy in the Theater department at Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM) under the direction of Marie-Christine Lesage. Actually in a co-creation with the dancer and choreographer Dany Desjardins called Sang Bleu, Andreane has a particular interest in the scenes that pushes limits out (cabarets, Edgy Women Festival, Short and Sweet, Piss in the Pool, Salon K). She continues to interpret for choreographers and directors such as Peter James (Famille D\u00e9jant\u00e9e<\/em>), Angela Konrad (Variations pour une d\u00e9ch\u00e9ance annonc\u00e9e<\/em>) and Theatre Republique in Denmark (The Tiger Lillies performs Hamlet<\/em>, 2016). Since 2014, Andreane gives workshops around the world for circus artist: Acrobatic dialogue and Contortion technique. Recently, Andr\u00e9ane also offers Contortion for All that aims to demystify and undo clich\u00e9s inherent to the art of contortion by introducing a strong technique and giving tools to allow movements throughout the whole spine.<\/p>\n

www.nadereartsvivants.com<\/a><\/p>\n

\n

All workshops are for professional performing artists. Some require advanced dance training.<\/b><\/p>\n

Registration<\/b> \u2013 Please contact (514) 393-3771 or at info@studio303.ca. A non-refundable deposit of $20 is required to reserve your spot.<\/p>\n

Payments<\/b> \u2013 By check, cash, Paypal or credit card on the phone or in person ($1 to $2 fee)<\/p>\n

Reimbursement policy<\/b>\u2013 No reimbursement possible without a good reason (ex: sickness or injury).<\/p>\n

*Emploi-Qu\u00e9bec <\/b>\u2013  With the support of Emploi-Qu\u00e9bec. In order to get this rate, participants must be Canadian citizens or permanent resident and live in Qu\u00e9bec. Full-time students and social assistance beneficiaries are not eligible to this rate. In case of inadmissibility, you can refer to the non-eligible rate, contact us for questions.<\/p>\n

Studio\u2019s accessibility<\/b><\/a> \u2013 Consult this page for detailed information.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mar. 4 to 8, 2019<\/p>\n","protected":false},"author":2,"featured_media":965,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[45,46],"tags":[],"class_list":["post-967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-professional-workshops"],"acf":[],"yoast_head":"\nANDR\u00c9ANE LECLERC (MTL) \u2014 Contortion: opening, amplitude and backbone movement - Studio 303<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.studio303.ca\/en\/contortion-opening-amplitude-and-backbone-movement-andreane-leclerc-mtl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANDR\u00c9ANE LECLERC (MTL) \u2014 Contortion: opening, amplitude and backbone movement - 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