{"id":35204,"date":"2026-06-30T15:19:10","date_gmt":"2026-06-30T19:19:10","guid":{"rendered":"https:\/\/www.studio303.ca\/programmation\/michael-toppings-rehearsals-for-dying-in-colour-26-27-en\/"},"modified":"2026-07-01T19:50:24","modified_gmt":"2026-07-01T23:50:24","slug":"michael-toppings-rehearsals-for-dying-in-colour-26-27-en","status":"publish","type":"programmation","link":"https:\/\/www.studio303.ca\/en\/programmation\/michael-toppings-rehearsals-for-dying-in-colour-26-27-en\/","title":{"rendered":"Michael Toppings – Rehearsals for dying in colour – 26-27 – EN"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Rehearsals for Dying in Colour<\/em> is an interdisciplinary project anchored in grief with the eulogy as its predominant form of expression. <\/p>\n","protected":false},"author":5,"featured_media":35201,"template":"wp-custom-template-single-content-programming-residency","meta":{"_acf_changed":false,"inline_featured_image":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"categorie_atelier":[],"rythme_atelier":[],"langue":[],"accessibilite":[],"saison":[338],"type_programmation":[116],"serie":[],"categorie_cours":[],"dropin":[],"session":[346],"statut_session":[123],"type_residence":[261],"type_evenement":[],"type_acces":[],"class_list":["post-35204","programmation","type-programmation","status-publish","has-post-thumbnail","hentry","saison-26-27","type_programmation-residence","session-winter-2027","statut_session-session-affichee-sur-le-site-web","type_residence-regular-residencies"],"acf":{"nom_des_artistes":"Michael Toppings","titre":"Rehearsals for dying in colour","titre_formate":"Michael Toppings - Rehearsals for dying in colour","resume":"Rehearsals for Dying in Colour<\/em> is an interdisciplinary project anchored in grief with the eulogy as its predominant form of expression.
","date_de_debut":"2026-12-14","date_de_debut_iso":"20261214","heure_de_debut":"","date_de_fin":"2027-01-03","date_de_fin_iso":"20270103","heure_de_fin":"","date_formatee_archives":"Monday, Dec. 14 2026 \u21fe Sunday, Jan. 03 2027","date_formatee_contenu":"Dec. 14 2026 \u21fe Jan. 03 2027 (Monday - Sunday)","heure_formatee_contenu":"","jour_de_la_semaine":"","tarif_atelier_pro":"","drop_ins_permis":"","tarif_drop_in_atelier_pro":"","mode_de_paiement":"","methode_inscription":"","tarifs":"","highlight":"","langue_des_questions":"","credit_photo":"\u00a9 Jeremy Toppings","photos_de_residence":null,"credit_photos_residence":"","objectif":"Rehearsals for Dying in Colour<\/em> is an interdisciplinary project anchored in grief with the eulogy as its predominant form of expression - unfolding across the literary, the visual, and the performative arts. There are four distinct yet interwoven parts (a volume of self-penned eulogies, a stage adaptation to be presented at La Chapelle, a reading of the original manuscript in an actual funeral home, and a self-published bookwork) - each iteration is grounded in grief, absence, and bereavement (and its accompanying disequilibrium). It is also about making space in order to speak the unspeakable, to illuminate the unseen. At its core is catharsis. There is no painless way to become oneself after being deconstructed by loss. There is only waiting (William Borzt).
","contenu":"","biographie":"Michael Toppings<\/strong> is a text-based artist, bookworm, self-identified etymologist, and humanist who bends\u00a0writing into performance. Over the past\u00a0several\u00a0decades, his practice has spanned readings, performances, theatrical works, and in situ installations presented in galleries, theatres, and non-conventional spaces\u2014each designed to unsettle familiar systems of meaning and prompt a reimagining of how we\u00a0might make\u00a0sense of the world.\u00a0His work is defined by a distinct aesthetic\u2014rooted in a refined DIY ethos that bridges the mundane and the sublime\u00a0while exploring what connects us as human beings and\u00a0leading\u00a0perhaps\u00a0to a sustained engagement with and between artists and audiences.
Projects\u00a0often begin with a single word,\u00a0husked\u00a0and stripped\u00a0of and\u00a0for meaning as a point of departure. This process is driven by the understanding that \u201call definition involves exclusion; in determining what a thing is, we also define what it is not<\/em>.\u201d
Notable projects include\u00a0Male Herd,<\/em>\u00a0The House Project<\/em>,\u00a0Single Dwelling Monologues<\/em>, and\u00a0A Diary of a Neighborhood<\/em>.
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