March 31 to April 4, 2025
9:30 am to 12:30 pm (Mon-Fri)
Full week: $95 (taxes included)
Drop-in: $28 (available one month prior)
Language of instruction: Frenglish (mix of French and English)
Questions can be asked in English and French, my response will depend on the content.
This professional workshop is supported by the Conseil de la formation continue Arts et Culture de Montréal (CFC), with the financial participation of the Government of Quebec through the Intervention-Compétences program.
CATEGORY
OBJECTIVE
Together we will host a space for experimentation and the practice of the imagination. A creative workshop open to experimental creators, performers, visual and sound artists and dreamers.
Unfolding souvenirs invites participants to dialogue with future memories, dreams and desires. Searching infinite possibilities. We will bring objects, matter, and materiality into the practice and generously explore what echoes, and transforms. We will make Lo-fi recordings. Be playful and find pleasure. Softly unfolding our souvenirs through our rhythmic scores.
CONTENT
Working with temporality and relationality, we will allocate time to reinvent, play, ignite and be curious. We will aim to cultivate a heightened awareness of sound, deceleration, texture, and sensations expanding on notions of embodiment. We will work with guided practice and have lots of time for experimentation and the witnessing of experimentation.
Workshop Pace | Workshop Features |
Variable Adaptable to the group’s needs | Exercises are adaptable |
BIOGRAPHY
Lara Kramer is a performer, choreographer, and multidisciplinary artist of mixed Oji-cree and settler heritage, raised in London, Ontario. She lives and works in Tiohtià:ke/Mooniyang/Montreal. Her choreographic work, research, and fieldwork over the last fifteen years has been grounded in intergenerational relations, intergenerational knowledge, and the impacts of the Indian Residential Schools of Canada. She is the first person in her family who hasn’t gone to residential schools. Kramer’s relationship to experiential practice and the creative process of performance, sonic development and visual design is anchored in the embodiment of experiences such as dreams, memories, knowledge, and reclamation. Her dance, performance, and installation creations have been presented across Canada and Australia, New Zealand, Martinique, Norway, Austria, the US, and the UK.

